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Published for the first major American retrospective devoted to Alaïa, this Rizzoli Electa volume sets the couturier's own garments beside the historic Balenciaga, Chanel and Vionnet pieces he collected. His training as a sculptor is the argument: fabric handled as if it were clay.
Edited by: Laura L. Camerlengo
Foreword by: Thomas P. Campbell
Introduction by: Olivier Saillard
Publisher: Rizzoli Electa
Pages: 224
Format: Hardcover
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